Mamma Roma begins by showcasing the emotive bombast of its star Anna Magnani, who is seen hooting, hollering, and cackling with unbridled glee in the center of the film's opening wedding scene. Magnani, one of the most forceful presences behind the neorealism movement, plays the titular Mamma Roma like her life depends on it. Her…Read more Film Review: Mamma Roma (1962)
Film Reviews
Film Review: Dawn of the Planet of the Apes (2014)
The title of this sequel/prequel/reboot is a bit of misnomer, suggesting that the film will chronicle something of grave importance. Yet, Dawn of the Planet of the Apes ultimately falls short of that promise. The title is also on the verbose side, and its length is one of the problems that the film itself shares. These issues…Read more Film Review: Dawn of the Planet of the Apes (2014)
Film Review: Mandela – Long Walk to Freedom (2013)
Mandela: Long Walk to Freedom ends on lyrical note. A swooping aerial shot spins around in a moment of sublime romanticism, capturing the rosy color of the African countryside at sunset. A small figure walks across the hills: it is Idris Elba's Nelson Mandela, who is pumping his fists in the air with a rousing…Read more Film Review: Mandela – Long Walk to Freedom (2013)
Film Review: The Rover (2014)
From Ravenous and Memento, to The Hard Word and The Proposition, Guy Pearce has shown himself again and again to be the posterboy for dirty, grim tales of crime and violence. These titles - where he typically embodies gaunt, unpredictable men - showcase the actor's preternatural ability to evoke both extreme emotion and remarkable restraint. In…Read more Film Review: The Rover (2014)
Film Review: Ernest and Celestine (2013)
The Oscar nominated French animated film, Ernest and Celestine, gets major points for sweetness. This delicate, uniquely drawn work is endearing, yet its effect quickly dissipates. Functioning as a rather tired paean for tolerance, the story feels thinly sketched and unsubstantial, with critical components of the film’s world possessing an arbitrary quality. Additionally, the English…Read more Film Review: Ernest and Celestine (2013)
Film Review: Edge of Tomorrow (2014)
Groundhog Day, Groundhog Day, Groundhog Day. These are the only words critics are using to describe the recent Tom Cruise actioner, Edge of Tomorrow, as if that 80's classic invented the concept of a time loop. Instead of cribbing from the Harold Ramis' comedy, Edge of Tomorrow (AKA All You Need is Kill) feels thematically…Read more Film Review: Edge of Tomorrow (2014)
Film Review: Regarding Henry (1991)
After a decade establishing himself as one of the biggest stars in Hollywood, Harrison Ford made some serious changes in the early 1990s. He put away his bullwhip and hung up his blaster, and Indiana Jones and Han Solo went into retirement (well, until recently). For Ford, he was no longer content to play "scruffy…Read more Film Review: Regarding Henry (1991)
Film Review: The White Ribbon (2009)
When one thinks of scathing cultural critiques, Michael Haneke's brutal examinations of violence, social dysfunction and the cinematic art form have to rank pretty highly. The director's 2009 Palme d'Or champion, The White Ribbon, is no different in this regard. The film offers a stark, bone-chilling journey into an otherworldly farming community struggling to survive…Read more Film Review: The White Ribbon (2009)
Film Review: The Unknown Known (2014)
Errol Morris's twelfth feature, The Unknown Known, focuses on the former political heavy weight Donald Rumsfeld, while also showcasing a master documentarian at work. Cutting back and forth through time, the film begins by probing the semi-recent tumult of 9/11 before arching backwards to Rumsfeld's early days in the political arena. Morris and Rumsfeld then…Read more Film Review: The Unknown Known (2014)
Film Review: The Running Man (1987)
Watching Arnie when he was in his 80's heyday is a powerful, elemental experience, as it equates to watching the birth of a legend. Of course, tough guys and big bruisers have always occupied the screen, but almost never has cinematic bloodletting been paired with so much affable joy. This quality, which has served the big…Read more Film Review: The Running Man (1987)
Adam Mohrbacher 